Volume 20, Number 1: Noam Gonick

February 2001
#77

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Table of Contents

  • BORDERNOTES

  • Uncovered Agents, Privacy Exposed Meeka Walsh
  • BORDERVIEWS

  • Eyre Borne: Ivan Eyre
  • The Death of Irony: AA Bronson
  • Weighting for Godot
  • Untotal Exposure: Charmaine Wheatley
  • BORDERCOLUMN

  • Must We Film Sade? Robert Enright
  • Board Walk Robin Laurence
  • INTERVIEWS

  • Words and Pictures: The Arts of Joni Mitchell Robert Enright
  • ARTICLES

  • The Diefenbunker Stops Here Petra Halkes
  • Popeye Gonick and the Filmy Spinach of Sex Robert Enright
  • The Connoisseur of Stones The Facteur Cheval and the Making of the World Rosemary Sullivan
  • ART PAGES

  • Cliff Eyland Cliff Eyland
  • CROSSOVERS

  • Whistling in the Dark: New Work by Carl Zimmerman Ray Cronin
  • Facing North: Lawren Harris James Trainor
  • The Systems Aesthetic of Nestor Kruger Xandra Eden
  • Gridluck: Photographs of Candida Höfer Andréa Picard
  • Cocktails for the Millennium Greg Beatty
  • Talismans of Time: La Biennale de Montréal Martha Langford
  • Defying the Gaze: The Work of Thecla Schiphorst Ann MacDonald
  • Close Encounters of a Distant Kind: The Havana Biennial Ming Tiampo
  • Models of Impurity: The Work of David Armstrong-Six Rodney LaTourelle
  • Stiff Upper Slips: Margaret Atwood’s “The Blind Assassin” Wayne Tefs