List of Contents

Canadians in Venice

Issue No.
78

Canadians in Venice

May, 2001

Bordernotes

Nacre and Candlesmoke, Venice on My Mind

Meeka Walsh

Borderviews

Button Whole: Michael Adamson

Robert Enright

Collage of One: Paul Butler

Robert Enright

I Paint You Deeply, Madly, Metaphorically: Bev Pike

Robert Enright

Insider Outsider: Peter Carey

Robert Enright

Bordercolumn

5 1/2 Minutes

Robert Enright

Monster Mash

Gary Genosko

Interviews

Pleasure Principals: The Art of Janet Cardiff and George Bures Miller

Robert Enright

Pleasure Principals The Art of Janet Cardiff and George Bures Miller Introduction by Meeka Walsh Janet Cardiff and George Bures Miller have created, each in their particular way, a contemporary version of son et lumière. Not for...

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NY 4, Four Canadian Artists in New York: David Craven, Medrie MacPhee, Micah Lexier, Attila Richard Lukacs

Robert Enright

Articles

History Painter: Lawrence Paul Yuxweluptun

Robert Enright

The Power of Reflection

Martha Langford

Radical Beauty: The Work of Christian Eckart

Nancy Tousley

Out of the Blue: Three Works on Vancouver

Peter Culley

Art Pages

Deep Ecology: Wanda Koop

Crossovers

Officialdumbing: Rielisms at the Winnipeg Art Gallery

Cliff Eyland

The Archaeology of Landscape: Paintings of Michael Smith

Nancy Tousley

Sightgags and Soundtricks: Christian Marclay's Cinema

Terence Dick

Remodelling the Gaze: Paintings of Elsbeth Coop and Iris Hauser

David Garneau

The Sister Grim: Photographs of Diane Arbus

Ray Cronin

Scitterbugged: Canadian and Japanese Designs for Living

Robin Laurence

Woebegone Daze: Jon Pylypchuk's New Work

James Trainor

Techno Hectoring: David Rokeby's Installations

Christopher Brayshaw

Nyctalopia: Kate Brown's "Night Vision"

Christian Bok

In Advance of the Post-Mortem: John Will's Photographs

Diana Sherlock

The Trojan Bicycle: Greg Curnoe's "Life & Stuff"

Terrence Heath

lux/magnorth: Magnetic North and Lux

Mariianne Mays

Portfolio

Colour is Power, Photographs by Robert Walker

Introduction by Max Kozloff

Fiction

Martin

Michelle Berry

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