Border Crossings Magazine

Bordernotes

Matter Becoming Spirit: Notes on Robert Shaw, Worship and the Arts

Robert Enright

Interviews

Storyforming: David Arnason's Addictive Fictional World

First Person Singular: The Determined Short Fiction of Sandra Birdsell

The Years of Figuring Dangerously: An Interview with Sheila Butler

Robert Enright

Articles

The Edges of Art: Notes on Personality and Creativity

Joseph Christianson

Eva Stubbs: The Decorum of the Primordial

Arthur Adamson

A Quiet in the Land: The Music Establishment and New Music

William Pura and Blakeman Welch

Notes from Underground

Lubomyr Melnyk

Flyspit For Gold: A Portrait of the Artist as a Failing Alchemist

Stephen Phelps

Nellie McClung Theatre: A Political Act

Keith Louise Fulton

Poetry

Journey/Journée: A Poem for two voices

Anne Szumilgalski & Terrence Heath

What Saved Him & We Were Crazy

Doug Melnyk

Crossovers

The Mennonite Piano Concerto, by Victor Davies

Review by Chester Duncan

Variations, by William Pura

Review by Chester Duncan

Since Daisy Creek, by W.O. Mitchell

Review by Wayne Tefs

Double Bond: An anthology of prairie women's fiction, edited by Caroline Heath

Review by Diane McGifford

Foreigners, by Barbara Sapergia

Review by Mark Duncan

Images of the Land, by Patricia Ainslie

Review by Robert J. Lamb

Quiet in the Land, by Anne Chislett

Review by Patrick Friesen

Commentary

Letters to the Editor

Fiction

Grad

Anne Phillips

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