List of Contents

MADE and unMADE

Issue No.
124

MADE and unMADE

Dec, 2012

Bordernotes

The City in Decline: Dreaming of Mickey Mouse

Meeka Walsh

With the four volume Selected Writings, which began with entries in 1913 and concluded in 1940, the year of his death, Walter Benjamin was leaving notes for the future. Not just in the way that...

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Borderviews

Show and Tale: Ming Hon's "The Exhibitionist"

                                            The sleep of reason brings forth monsters, as Goya warned us, and they can be a complicated brood. In Ming Hon’s compelling performance piece, called The Exhibitionist, the Winnipeg-based dancer constructs a story in which...

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Impossible Architectures: Martin Golland's "The Archivist's Etagere"

Martin Golland, the Ottawa-based painter and teacher, has been keeping himself busy. In his recent show at Toronto’s Birch Libralato, titled The Archivist’s Étagère, he exhibited three large tower paintings that showed an engagement with...

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Shantytown redux: Karine Giboulo's "Democracy Village"

Montreal-based sculptor Karine Giboulo knows that both God and the Devil are in the details. Her most recent installation, a three-part reconstruction of a shantytown in Haiti called Democracy Village, is a world of detail,...

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Artifactotems: Drawings of Ted Barker

The tense that drives the drawn world of Winnipeg artist Ted Barker is the present-past. He has set himself the task of reinventing his grandfather’s life in a wilderness that was already an invention, even...

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Bordercolumn

Headgames: Deco Dawson's "Ne crane pas sois modeste (keep a modest head)"

Robert Enright

The opening scene of Deco Dawson’s tribute film to Jean Benoît, who was the last surrealist, is a marvelous camp spectacle, brim-filled with psycho-sexual mystery, sonorous music and enough swirling black smoke to set off...

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Interviews

Space Stories: An Interview with Mike Nelson

Robert Enright

Mike Nelson is always in a world of his own. Beginning in the early 1990s, he has been devising and constructing immersive environments of which he is the principal architect and primary storyteller. Whether dealing...

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Dumbfounded by the Box: Frank Fantauzzi & Charlie O'Geen

Robert Enright

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Alona Rodeh and the Art of Camouflage

Robert Enright and Meeka Walsh

   

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Articles

Layer Upon Layer of Absences: The Films of Yael Bartana

E C Woodley

Assertive Possibilities: Alighiero Boetti and Arte Povera

Daniel Baird

Crossovers

Review of Seth Woodyard's "Good Work"

Jenny Western

Review of "A ciel ouvert: Le Nouveau pleinairisme"

Sarah Milroy

Review of Gary Spearin's "iNifiNiTi" and "PAINTING BEYOND a body of views"

Joscelyn Gardner

Review of Tom Ngo's "Let It It Be"

Krystina Mierins

Review of Marion Wagschal's "Works on Paper"

James D Campbell

Review of Taryn Simon's " A Living Man Declared Dead and Other Chapter I - XVII"

Tracy Valcourt

Review of "Earth Art 2012"

Robin Laurence

Review of "Foire d'art alternatif de Sudbury"

Raymond Aubin

Review of "Van Gogh: Up Close"

Gary Michael Dault

Review of "Zoo"

James D Campbell

Review of "Sanaz Mazinani: Frames of he Visible"

Gary Michael Dault

Review of "Atomic Suite: An Exhibition by Mary Kavanagh"

John O'Brian

Review of "Deb Thompson: Tales From the Underworld"

Tom Hardy

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