Border Crossings Magazine

Bordernotes

Measurement and the Missing Subject

Meeka Walsh

Borderviews

Hives of Productivity: Aganetha Dyck

Grotesqueries: Aurel Schmidt

Utopian Dreamer: Wayne Baerwaldt's Montréal Biennale

Back to Nature’s Future: Noam Gonick and Luis Jacob

Column

The Domesticated Zombie

Robert Enright

Interviews

Robert Enright

When the Canadian artist Michael Snow left Toronto for New York in 1962, he had already established a reputation as an artist whose carreer was on the rise. When he returned to Toronto in 1971,...

Robert Enright

For 30 years, Toronto multidisciplinary artist Vera Frenkel has been asking vexing questions. She is omnivorous in this regard, asking them of any individual or institution she comes across that takes for granted a sense...

Articles

Ray Cronin

Al Gore isn’t the only one delivering inconvenient truths. Despite the current shift of much of the art scene in the Western world toward spectacle and novelty, fuelled by a voracious market with truly staggering...

Inside the Outsider’s Mind: Iris Haussler's The Legacy of Joseph Wagenbach

Andrea Carson

Essay

Ice Fishing in Gimli: Bibliophilic Rapture in the Cold or Twilight's Last Gleaning

Gary Michael Dault

Crossovers

Fred Herzog

Robin Laurence

Shary Boyle

William Ganis

Gilles Clément and Philippe Rahm

James D. Campbell

Richard Holden

Christabel Wiebe

Jeff Wall

Megan Ratner

David Altmejd

Kate Regan

René Magritte

Susan Emerling

Carol Wainio

Randall Anderson

Jenny Perlin

Jacob Korczynski

Stephen Foster and James Gillespie

Portia Priegert

Peter MacCallum

Richard Holden

Clifford Wiens

Alison Gillmor

Miroslav Tichy

Christopher Olson

George Steeves

Martha Langford

Peter Dykhuis

Meredith Dault

Technologies of Intuition, edited by Jennifer Fisher

Leah Sandals