Border Crossings Magazine

Highlights

Border Crossings has looked at the following in film, video and sound art:

A
Awad, Michael, Eve Egoyan and David Rokeby, "Next Memory City" - Issue 84
B
Bailey, Norma - Issues 15, 39
Barker, Cordell - Issue 82
Bernard, Cindy - Issue 60
The Blood Records - Issue 74
Brakhage, Stan - Issue 98
C
Cardiff, Janet and George Bures Miller - Issue 78
Cumming, Donigan - Issues 37, 75
D
Dawson, Deco - Issues 71, 107
Daybi - Issue 103
Dekyndt, Edith - Issue 74
Dempsey, Shawna and Lorri Millan - Issue 66
E
Egoyan, Atom - Issues 73, 84
Eliasson, Olafur - Issue 95
Ellis, Bret Easton - Issue 74
F
Farrokhzad, Forough - Issue 109
Fassbinder, Reiner Werner - Issue 103
Fast, Omer - Issue 104
Frank, Robert - Issue 108
Fusco, Coco - Issue 104
G
Geleynse, Wyn - Issues 61, 79
Gonick, Noam Hey Happy! - Issue 77
Gordon, Douglas - Issue 83
Greenaway, Peter - Issues 36, 106
Gregory, Ken - Issue 84
H
Harron, Mary - Issue 74
Hoffos, David - Issues 91, 99
Holm, Matt - Issue 75
J
Jacob, Luis & Noam Gonick - Issue 104
Jerrett, Shereen - Issue 64
K
Kavanagh, Mary - Issue 98
L
Lucier, Mary - Issue 69
Lux, A Decade of Artists’ Film and Video - Issue 78
M
Mason, Bill - Issue 30
Maddin, Guy - Issues 35, 46, 54, 64, 75, 78, 80, 86, 96, 107
Magnetic North: Canadian Experimental Video - Issue 78
Marclay, Christian - Issue 78
Media City - Issue 82
Mik, Aernout - Issue 81
Mori, Mariko - Issue 101
N
Neshat, Shirin - Issues 81, 109
P
Paskievich, John - Issue 42, 81
Perlin, Jenny - Issue 102
R
Ramsay, Benny Nemerofsky - Issue 92
Rokeby, David -  Issue 81
Rossellini, Isabella - Issue 86
S
Schneemann, Carolee - Issue 98
Shaw, Jeremy - Issue 93
Sigismondi, Floria - Issue 79
Sims, Theo - Issue 104
Snow, Michael - Issue 96, 102
Still Waters: The Poetry of P.K. Page - Issue 38
Stopkowich, Lynn - Issue 63
T
Taylor-Wood, Sam - Issue 94
"The Video of Cruelty," - Issue 62
W
Winnipeg Film Group - Issue 55
Wintonick, Peter - Issue 75
Y
Yahyahkeekoot, Gabriel  - Issue 103

See also: Columns

Issue Features:

Issue 85
"Arkivist" by Robert Enright

"It is arguable that no filmmaker has set the aesthetic bar higher than has Alexander Sokurov in his 95-minute-long, epic inquiry into the cultural identity of his home country. Russian Ark was shot on a single day and in a single take, after eight years of preparation and a month of rehearsal." Robert Enright’s film column appears in every issue.

Issue 75
"The Mad Fear Nothing: On the Set of Guy Maddin’s The Heart of the World"

Issue 36
"The Rational Extremist: An Interview with Peter Greenaway"