Issue No.
106
Ed Ruscha
May, 2008
Cover:
Ed Ruscha, Boss, 1961, oil on canvas, 71 1/8 x 67 1/8". Photograph courtesy Edward Ruscha Studio, Venice, California.Border Crossings has looked at the following in film, video and sound art:
Michael Awad, Eve Egoyan and David Rokeby, "Next Memory City", 21#3
Norma Bailey, 10#3, 4#3
Cordell Barker, 21#2
Cindy Bernard, 15#4
The Blood Records, 19#2
Stan Brakhage, 25#2
Janet Cardiff and George Bures Miller, 20#2
Donigan Cumming, 19#3, 10#1
Deco Dawson, 18#3
Daybi, 2633
Edith Dekyndt, 19#2
Shawna Dempsey and Lorri Millan, 17#2
Atom Egoyan, 21#4, 19#1
Olafur Eliasson, 24#3
Bret Easton Ellis, 19#2
Reiner Werner Fassbinder, 26#3
Omer Fast, 26#4
Coco Fusco, 26#4
Wyn Geleynse, 20#3, 16#1
Noam Gonick, Hey Happy!, 20#1, Noam Gonick and Luis Jacob, 26#4
Douglas Gordon, 21#3
Peter Greenaway, 9#4
Ken Gregory, 21#4
Mary Harron, 19#2
David Hoffos, 25#3, 23#3
Matt Holm, 19#3
Shereen Jerrett
Mary Kavanagh, 25#2
Mary Lucier, 18#1
Lux, A Decade of Artists’ Film and Video, 20#2
Bill Mason, 8#2
Guy Maddin, 24#4, 22#2, 20#4, 20#2, 19#3, 16#4, 14#2, 12#2; 9#3
Magnetic North: Canadian Experimental Video, 20#2
Christian Marclay, 20#2
Media City, 21#2
Aernout Mik, 21#1
Mario Mori, 26#1
Shirin Neshat, 21#1
John Paskievich, 21#1, 11#2
Jenny Perlin, 26#2
Benny Nemerofsky Ramsay, 23#4
David Rokeby, 21#1
Isabella Rossellini, 22#2
Carolee Schneemann, 25#2
Jeremy Shaw, 24#1
Floria Sigismondi, 20#3
Theo Sims, 26#4
Michael Snow, 26#2, 24#4
Still Waters: The Poetry of P.K. Page, 10#2
Lynn Stopkowich, 16#3
"The Video of Cruelty," 16#2
Winnipeg Film Group, 14#3
Peter Wintonick, 19#3
Sam Taylor-Wood, 24#2
Gabriel Yahyahkeekoot, 26#3
See also: Columns
19#3
"The Mad Fear Nothing: On the Set of Guy Maddin’s The Heart of the World"
Vol. 22#1
"Arkivist" by Robert Enright
"It is arguable that no filmmaker has set the aesthetic bar higher than has Alexander Sokurov in his 95-minute-long, epic inquiry into the cultural identity of his home country. Russian Ark was shot on a single day and in a single take, after eight years of preparation and a month of rehearsal." Robert Enright’s film column appears in every issue.
Vol. 9#4
"The Rational Extremist: An Interview with Peter Greenaway"