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Title: Air Winnipeg
Author: Alison Gillmor
Date: May 1996
Issue: Volume 15, Number 2: Taras Polataiko (#58)
Page: 56-0
Section: Crossovers, Reviews
Subject: “Catherine Collins: Little Eden” at Gallery 1C03
Title: Heart Attacks
Author: Alison Gillmor
Date: May 1996
Issue: Volume 15, Number 2: Taras Polataiko (#58)
Page: 51-52
Section: Crossovers, Reviews
Subject: “Patti Johnson, Studio Series,” at the Winnipeg Art Gallery
Title: Unfix Ability
Author: Alison Gillmor
Date: February 1, 1996
Issue: Volume 15, Number 1: Dutch Treats (#57)
Page: 65-66
Section: Crossovers, Reviews
Subject: “Shift,” a collaborative performance/exhibition by Reva Stone, Tom Stroud, Glenn Buhr, Hugh Conacher and Margaret Sweatman
Title: Bar Everyone
Author: Alison Gillmor
Date: November 1995
Issue: Volume 14, Number 4: Betty Goodwin (#56)
Page: 73-0
Section: Crossovers, Reviews
Subject: Michael Morris, Vincent Trasov, the exhibition “Morris/Trasov Archive: Colour Research” at Plug-In Inc.
Title: Objects of Wonder
Author: Alison Gillmor
Date: August 1, 1995
Issue: Volume 14, Number 3: Painting (#55)
Page: 22-23
Section: Crossovers, Reviews
Subject: “Still Life,” Aganetha Dyck and Karen Thornton at Ace Art
Title: Memory Tracks
Author: Alison Gillmor
Date: April 1995
Issue: Volume 14, Number 2: The Body (#54)
Page: 53-54
Section: Crossovers, Reviews
Subject: Myron Turner
Title: Shoe Business
Author: Alison Gillmor
Date: April 1995
Issue: Volume 14, Number 2: The Body (#54)
Page: 4-0
Section: Borderviews
Subject: Border Crossings fundraiser inspiring the theme of shoes, Aganetha Dyck’s “All Pumped Up”
Title: When She Dread Awakens
Author: Alison Gillmor
Date: January 1, 1995
Issue: Volume 14, Number 1: Circus Carnival Cabaret Part II (#53)
Page: 67-68
Section: Crossovers, Reviews
Subject: “Diana Thorneycroft: a slow remembering,” at Floating Gallery
Title: Strip
Author: Alison Gillmor
Date: November 1, 1994
Issue: Volume 13, Number 4: Circus Carnival Cabaret Part I (#52)
Page: 52-55
Section: Articles
Subject: Sexual spectacle and male stripping, with photographs by Cheryl Albuquerque
Title: Conflict Irresolution
Author: Alison Gillmor
Date: August 1, 1994
Issue: Volume 13, Number 3: The ‘60s (#51)
Page: 58-59
Section: Crossovers, Reviews
Subject: “Queer Looks: Perspectives on Lesbian Gay Film and Video” by Martha Gever, John Greyson, and Pratibha Parmar
Title: Obsessive Posterings
Author: Alison Gillmor
Date: April 1, 1994
Issue: Volume 13, Number 2: Robert Wilson (#50)
Page: 50-51
Section: Crossovers, Reviews
Subject: “Imponderable Joys: The Work of Austin Cooper” at the Art Gallery of Southwestern Manitoba
Title: Body Persistance
Author: Alison Gillmor
Date: October 1993
Issue: Volume 12, Number 4: The Art of Construction Part I (#48)
Page: 66-68
Section: Crossovers, Reviews
Subject: Social construction and body image
Title: Elusions of Mysticism
Author: Alison Gillmor
Date: July 1, 1993
Issue: Volume 12, Number 3: Mark Godden (#47)
Page: 58-60
Section: Crossovers, Reviews
Subject: “The Logic of Ecstasy: Canadian Mystical Painting 1920-1940” by Ann Davis
Title: Thrilling Us Softly
Author: Alison Gillmor
Date: July 1, 1993
Issue: Volume 12, Number 3: Mark Godden (#47)
Page: 48-0
Section: Crossovers, Reviews
Subject: Carl Beam, paintings from “The Columbus Boat” at the Art Gallery of Southwestern Manitoba in Brandon
Title: The Practice of Conflicting Art
Author: Alison Gillmor
Date: December 1, 1992
Issue: Volume 11, Number 4: First Nations Art & Culture (#44)
Page: 73-74
Section: Crossovers, Reviews
Subject: “Indigena: Contemporary Native Perspectives” at the Canadian Museum of Civilization
Title: Russian Rusticity
Author: Alison Gillmor
Date: January 1, 1992
Issue: Volume 11, Number 1: Evelyn Hart (#41)
Page: 0-0
Section: Crossovers, Reviews
Subject: “Hot Ice: Shakespeare in Moscow, A Director’s Diary” by Guy Sprung with Rita Much
Title: Vogue Memory
Author: Alison Gillmor
Date: January 1, 1991
Issue: Volume 10, Number 1: Donigan Cumming (#37)
Page: 49-50
Section: Crossovers, Reviews
Subject: “A Vogue Memory,” Photographs from the Vogue Studio, Proprietor Dmytro Harapiak, Curated by Peter Tittenberger
Title: Renovating Domesticity
Author: Alison Gillmor
Date: January 1, 1990
Issue: Volume 9, Number 1: Tribute to Photography (#33)
Page: 33-34
Section: Crossovers, Reviews
Subject: Recently Constructed Works by Lynda Gammon at Plug-In Gallery
Title: Media Twists
Author: Alison Gillmor
Date: July 1, 1989
Issue: Volume 8, Number 3: John Hall (#31)
Page: 31-0
Section: Crossovers, Reviews
Subject: “New Work” by Myron Turner at Ace Art
Title: Upstairs, Downstairs
Author: Alison Gillmor
Date: March 1, 1989
Issue: Volume 8, Number 2: Film & Photography (#30)
Page: 47-48
Section: Crossovers, Reviews
Subject: “Slow Information: the gradual effect of installation art” works by Barb Hunt and John Groves at Main/Access Gallery
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