Index Search Results

Section: Portfolios

105 results

Date: February 2002
Issue: Volume 21, Number 1: William Kentridge (#81)
Page: 44-57
Section: Portfolios
Subject: Geoffrey James
Title: Colour is Power: Robert Walker’s Time Square
Author: Max Kozloff
Date: May 2001
Issue: Volume 20, Number 2: Canadians in Venice (#78)
Page: 115-121
Section: Portfolios
Subject: Photographs by Robert Walker
Title: Al Borde: Houses of Havana
Author: Vincenzo Pietropaolo
Date: August 2000
Issue: Volume 19, Number 3: Steve Martin (#75)
Page: 64-71
Section: Portfolios
Subject: Vincenzo Pietropaolo’s photographs of Havana
Title: Balm and Beauty and Hosanna
Author: Andrzej Pluta
Date: May 2000
Issue: Volume 19, Number 2: On Work (#74)
Page: 58-63
Section: Portfolios
Subject: Andrzej Pluta photographs of flowers, exhibited by Steuben Glass in New York
Title: Drue Langlois and Michael Dumontier Eyeball Hurt & the Medicine Present
Date: February 2000
Issue: Volume 19, Number 1: Jeff Wall (#73)
Page: 33-35
Section: Portfolios
Subject: Drue Langlois and Michael Dumontier
Title: The Remains of the Day, Photographs by Laura Letinsky
Date: November 1999
Issue: Volume 18, Number 4: The Feminine in Photography (#72)
Page: 32-39
Section: Portfolios
Subject: “Morning, and Melancholia” series
Title: Chance Encounters of an Abandoned Kind
Author: Diana Shearwood
Date: August 1999
Issue: Volume 18, Number 3: Diana Shearwood (#71)
Page: 33-40
Section: Portfolios
Subject: “The Abandoned Motel Series”
Title: The Station Point
Author: Anne Michaels
Date: January 1999
Issue: Volume 18, Number 1: The Built World (#69)
Page: 49-55
Section: Portfolios
Subject: Robert Bourdeau photography
Title: The Ideal City
Architecture of the Past, Archaeology of the Future
Author: Lorne Beug
Date: January 1999
Issue: Volume 18, Number 1: The Built World (#69)
Page: 12-15
Section: Portfolios
Subject: Photographs and text by Lorne Beug
Title: The Zone
Author: David McMillan
Date: October 1998
Issue: Volume 17, Number 4: On Photography (#68)
Page: 42-49
Section: Portfolios
Subject: David McMillan, The Chernobyl Exclusion Zone
Title: dzamatizations, the drawings of Marcel Dzama
Date: July 1998
Issue: Volume 17, Number 3: Storytime (#67)
Page: 36-41
Section: Portfolios
Subject: Marcel Dzama
Title: Travellers’ First Communion
Author: Wanita Bates
Date: February 1998
Issue: Volume 17, Number 1: The Body: Gay and Straight (#65)
Page: 33-39
Section: Portfolios
Subject: Wanita Bates photography
Title: Dikemaster’s Daughter
Author: Guy Maddin, George Toles
Date: November 1997
Issue: Volume 16, Number 4: Robert Frank (#64)
Page: 34-41
Section: Portfolios
Subject: film script and storyboards for “Dikemaster’s Daughter”
Title: Horse Against the Grain: The Fafard Field Project
Author: Meeka Walsh
Date: August 1997
Issue: Volume 16, Number 3: Landscapes (#63)
Page: 39-43
Section: Portfolios
Subject: Joe Fafard
Title: Karakoram Highway
Author: Roger LeMoyne
Date: August 1997
Issue: Volume 16, Number 3: Landscapes (#63)
Page: 12-17
Section: Portfolios
Subject: Roger LeMoyne photography
Title: Black Crows Singing
Author: Roger LeMoyne
Date: July 1996
Issue: Volume 15, Number 3: Photographies (#59)
Page: 40-47
Section: Portfolios
Subject: photographs and text by Roger LeMoyne in Bosnia
Title: Nosotras, We the Women
Author: Vincenzo Pietropaolo
Date: May 1996
Issue: Volume 15, Number 2: Taras Polataiko (#58)
Page: 28-35
Section: Portfolios
Subject: Vincenzo Pietropaolo, photographs from Monte Prieto, Mexico and Ontario, Canada
Title: Remembering to Forget: Romania and the Looking Glass
Author: Owen Bennet Jones
Date: November 1995
Issue: Volume 14, Number 4: Betty Goodwin (#56)
Page: 54-60
Section: Portfolios
Subject: photographs of Romania by Matt Glass
Title: Motel Paintings and Drawings
Andrew Valko’s Notebook
Author: Andrew Valko
Date: August 1995
Issue: Volume 14, Number 3: Painting (#55)
Page: 46-51
Section: Portfolios
Subject: Andrew Valko
Title: Footing It to the Lord
Author: Patrick Friesen
Date: April 1995
Issue: Volume 14, Number 2: The Body (#54)
Page: 42-45
Section: Portfolios
Subject: The choreography of Margie Gillis, Karen Jamieson and Stephanie Ballard, photographs by Robert Tinker