Interviews
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The Art of Forensics
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Postcommodity Tells Time
Place is one of the most significant determining contexts through which you can position an idea or try to make meaning around a set of ideas and propositions
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Nature’s Exuberance Uncentring the Anthropocentric
Giovanni Aloi speaks of our alienation from nature, of our having extracted or drawn ourselves outside it. Can we blame the apple? How did it come about or why, that we have removed ourselves from nature to use and overuse it and see now the consequences?
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Found Everything
Finding herself in an enclosed space, Lynn Hershman Leeson finds a way, at whatever cost, to break through any barrier that she comes across.
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Figures and Faces
Shearer’s internalized visual memory is capacious, an archive of its own that has absorbed the history of images as far back as images’ own record.
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The Wholly Trinity
No artist since Arcimboldo has gone as far as Logan in grafting together the human, the animal and the botanical.
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A Certain Kind of Animal Energy
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Way of Being: The Art of Lori Blondeau
“I think being born Indigenous means you are political…You’re born political because you have to fight for your rights. We’re still doing it today.”
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Ends and Beginnings: The Generative Photographs of Nan Goldin
In the interview that follows, “beauty” is spoken. Goldin says, about her photographs from Eden and After, “I desire the beauty. I’m attracted to people who are beautiful. And my people are all kinds of beautiful.”
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The Man with the Moving Camera
I sometimes feel like I don’t know how not to produce photography. When I’m in a long period, and it does happen, that I’m not producing my own work, I feel something important is being neglected.
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History Maker
If Stan Douglas weren’t a filmmaker, video artist and photographer, he’d be a writer. He thinks like a writer. When he talks about his projects and bodies of work, how they come into being and how they develop, it is like listening to a novelist outlining a plot, setting a scene or describing a character. He provides a narrative frame in which stories and characters present and configure themselves, often in complicated situations.
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Riding on the &
In 2011 the artist Iain Baxter officially registered the trademark “&” with the Intellectual Property Office of Industry Canada. Iain Baxter became IAIN BAXTER&. It was a sensible, even inevitable transformation
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