When Arlene Shechet decided to call her current exhibition of porcelain sculpture at The Frick in New York “No Simple Matter,” she was underlining two things about her attitude towards art-making. “I was using matter as both idea and material. The word is commonly used in both ways and I like that slippage,” Shechet says. “The other thing is our culture views porcelain as a simplistic, frilly material and I wanted to have the show address the fact that it is much deeper and more complex than that.” Keep Reading
“Reporting from the Front” is the name picked by curator Alejandro Aravena for the 15th International Architecture Exhibition in Venice. Among the exhibits in the central pavilion is The Evidence Room, developed by Robert Jan van Pelt, Donald McKay, Anne Bordeleau, Sascha Hastings and a team of students from the University of Waterloo School of Architecture. The Evidence Room, which has an accompanying book, will be on exhibition in Venice from the 28th of May to the 27th of November. Keep Reading
For a dozen years, an image from the Iraq war lodged in the mind of Winnipeg artist Ian August. When the time came for him to make a new body of work, the image became especially generative. “I remembered when the Baghdad museum was being looted there was a picture of an American tank sitting by while looters walked out with everything from office chairs to busts. I wanted to bring it back to one event in which I could get all the stuff involved in that photograph.” Keep Reading
Vigée Le Brun was a 23-year-old self-educated portraitist when she was summoned to Versailles in 1778 to paint Marie Antoinette, a young woman who was exactly her age. Vigée, as she was called, was sociable and beautiful, but what made her especially attractive to the Queen and the world of the ancien régime was her unparalleled ability as a portraitist. Keep Reading
Winnipeg-based multimedia artist Collin Zipp is intrigued by the things that can happen to paintings; they can be admired, appropriated, copied and stolen. In his recent work he has concentrated on a combination of the last two—copied and stolen—the former being a response to the latter. Keep Reading
Shary Boyle & Shuvinai Ashoona: Their first opportunity to work together was in “Noise Ghost” at the Justina M. Barnicke Gallery in 2009, an exhibition curated by Nancy Campbell. “She had the insight to see the connections between our work,” says Boyle, and those connections are even more apparent in their recent collaborative work. Keep Reading
In 2015, five Canadian artists, including Daniel Barrow, Meryl McMaster, Kristine Moran and David Hoffos, were chosen for consecutive bi-national residencies in Detroit. The fifth was Jon Sasaki, the Toronto-based multidisciplinary artist whose special talent is generating emotional weight out of conceptual strategies. Keep Reading
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