The Green Fog, directed by Evan Johnson, Galen Johnson, and Guy Maddin
In Vertigo, Alfred Hitchcock’s 1958 masterpiece, and arguably the greatest film ever made, John ‘Scottie’ Ferguson, played by James Stewart, visits his old friend, the shipbuilding magnate and wife-murderer-in-waiting, Gavin Elster, and they talk about San Franciso, the city in which they both live.
Shirin Neshat and the Art of Tragic Euphoria
A sense of mysticism pervades all of Shirin Neshat’s work, in the gentlest but most persistent manner. It’s evident in her person—this small, delicate as a bird, formidable individual who enchants and engages an audience by making her ethical rigour very clear.
An Interview with Les Levine
Les Levine’s first encounter with art was in the studio of the Irish painter Jack Yeats. He was eight years old and knew nothing about art or artists but what he recognized, and could not yet express, was that art was different from anything he had ever seen
The Photography of Lidwien van de Ven
For the Dutch-born photographer Lidwien van de Ven, photography is a reciprocal process of give and take. The reason for travelling to another country is to learn from where you are, rather than going there to “take” a picture. Keep Reading
An Interview with Chloe Wise
“I’m interested in these dissonant realities. When we see beauty we want to be able to quantify, domesticate, understand and protect it, but we also want to violate it. I have always had a really bizarre relationship with beauty.”
An Interview with Geoffrey Farmer
A collision can be many things. In collage it’s the overlay and the edges, the abutment that either creates or disassembles meaning. In a rapid succession of film edits the collision of images interrupts and then creates narrative.
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